Pat Gibbons
Pat Gibbons is a poet, musician, student, and teacher. His poetry has appeared in Spindrift and Sketch. As a musician, he has released singles, EPs, and albums. He also records an NBA/pop culture themed podcast. He has attended Iowa State University and Indiana State University and is currently pursuing a Masters in English. Pat has also taught high school upperclass English courses (Literature and College Credit Advanced Comp.) for little over a decade, and also is in the process of seeking a publisher for his first poetry book titled, Irritants and Artifacts, debuting two of his poems from that collection - “Goggle Girl” and “Exposure” - at the 2021 “PAMLA Arts Matter: Among the Unrest” roundtable.
Goggle Girl
crouched in mud
eating crackers and
sticking to shadows
the lights are looking
their tread is heavy
no smiles in the trees
to offer philosophies
madness and malice abound
the oiled metal and gasoline
popping rivets and stripping gears
vibrations getting close
and she scurries away
hiding in a movie house
Dracula curiously on a loop
again and again and again
through her goggles she feels
safely separated, as the machines
rattle the ceiling, shaking loose building bits
that gently fall, like snow
on two upturned windows
she hasn’t moved in days
blackened steam filled her cruel cruel dreams
no cakes and dresses and well-meaning men
shiny dirt wishing to wake away the madhouse
she’s impossibly trapped, feeling Mina
and when she could watch no more
she turned her head slowly upwards
so beautiful . . . the celluloid dust fires
dancing in an unending hourglass
she cleared her view once and let it slip away
Exposure
Catalpa flowers are falling like snow
today, gently disturbing the rivulets running
through a micro-world of melting snow
caves. Look closely, the crowns of our heads
are hanging open by rotten hinges, soon to
drop away, especially in this sun. A single
petal offers fleeting comfort, but the water
will find a way, the melting snow will see
to that. The tree presses down, moving
aside irritants and artifacts, its branches
are reaching out, desperate for the bright,
still blue. Below, our grayish lobes glisten
and throb, blanketed with a wreath
of flowers, a soft buttercream set to sizzle.
Look closely, our crownless heads are flailing
in the rivulets, on a tilt counting too many
degrees, a load with too great a shift — we
are slipping, we are scrambling, we are
scratching at the wood.